BIG RIVER MAGAZINE

It begins at Gray’s Bay. For a while it was known as Brown’s Creek. But Indian traders, soldiers, set­tlers, loggers, millers, developers, stream straighteners, flood managers, bridge builders, park visionaries and, as ever, canoeists have all contributed much more color than that to Minne­haha Creek.

Today it’s a centerpiece in the Twin Cities metro area, defining urban and suburban neighborhoods, nourishing real estate values, providing inspira­tion and retreat to residents from Min­netonka to south Minneapolis, before it tumbles over a cliff and flows into the Mississippi. Each year it thrills about 800,000 visitors to Minnehaha Falls, the 53-foot cataract watched over by bronze ver­sions of the tragic young lovers, Hiawatha and Minnehaha, from Henry Wadsworth Longfellow’s epic poem, “The Song of Hiawatha.” Nearby, a bust of the Dakota Chief Little Crow also stands by. (The Longfellow poem actually takes place along Lake Supe­rior more than 400 miles away – a small bit of poetic, geographic and cul­tural license.) The creek itself is where kids shout and splash as they drop off rope swings dangling from trees along its shady and sometimes steep banks. It’s where landscape painters and jog­gers find challenges and rewards. It’s where dogwalkers and their dogs find joy and relief.

Yet it’s still just a creek … usually easy to walk across without getting swept away. In winter, it often freezes solid. That’s one reason there are few fish in it, though that also gives walk­ers, snowshoers, skaters and sometimes bicyclists an ephemeral path through the city. Late architect and artist Vic­tor C. Gilbertson, who published a delightful book of watercolors of all 101 bridges across the creek in 2002, described it as a “meandering magnet.”

By Bill McAuliffe

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